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Holographic telepresence for events: production checklist

The questions an event team should answer before putting a remote speaker on a spatial stage.

Editorial illustration for Holographic telepresence for events: production checklistOriginal HoloNexa editorial illustration. It is not an official product photograph.
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This research-based guide uses manufacturer documentation for product facts. Evaluation and buying guidance are independent analysis; it is not presented as hands-on testing.

Design the whole connection

A telepresence event is two productions joined by a network: the capture studio and the venue. Assign responsibility for camera, lighting, framing, return audio, connectivity, display operation and speaker rehearsal on both sides.

Build a technical run sheet with primary and backup paths. A successful demo in an empty venue does not guarantee performance once the audience network is busy.

Stage for the optical system

Control spill light, backgrounds and audience angles according to the manufacturer's requirements. Integrate the remote participant into the program rather than presenting the technology as the only story.

Rehearse eye line and conversational delay. Give the remote speaker a clear view of the moderator and audience response where possible.

Decide rent or buy

Rental with an experienced operator is often appropriate for occasional events. Ownership makes more sense when the organization can schedule repeat executive, education or customer programs and maintain a trained team.

Request current specifications and service terms from the manufacturer. Treat every live event as a system with a graceful fallback, not a single device.

Official sources

Specifications, availability and program terms can change. Confirm current information on the linked manufacturer pages.

  1. Proto M2 official page
  2. Proto support center
  3. Holoconnects official site